Tuesday, October 31, 2006
Lying Down In Corn
I will be getting ready to leave Nebraska this week, please notice the address change in my profile, and I would still love to hear from you via snail mail anytime.
Mark and Hannah First Ones In Silo Collar
Raven, Ed, and I
Ed and I sit outside my studio at the end of the Art Harvest weekend. It was a very busy, succesful and fun weekend. We think at least three hundred people showed up. A lot of folks came for the first time and learned about the Art Farm Harvest event through the local Grand Island Paper. A full page report appeared in the Sunday paper with pictures of Aimee, Shawn and me.
Friday, October 27, 2006
Colorful Collar
Monday, October 23, 2006
Corn
Mel Russel's Court
This is where she met Mel Russel and his sweet dog, Lucky. She saw the basketball rim and could not resist just driving onto the private property and shooting a few. He came out of the house laughing at her, wondering why a woman would come to shoot hoop at his basket and photograph herself. They had such a wonderful conversation. He told her he has spent his whole life here in Marquette farming. She loved asking him questions about the corn, coyotes and tornadoes but in the end it was basketball and dogs that they liked talking about best.
Friday, October 20, 2006
Soybeans
She stopped on her way back from swimming at the YMCA to climb up and speak with this man in charge of the lever that opens and closes the hatch for the flow of soybeans that fall into the trucks parked beneath. The soybeans in this bin were just sold to another distributer down the road. The harvest of soybeans and corn is like a cash. It is transferred between different bins. The bigger bins buy from the little bins, and when the economy is good and there is a high demand, the grain is sold locally for ethanol and feed for cows or shipped out of the country as feed for people. The bins allow you to have control of the market. The bigger the bin the more powerful you are.
3 feet 3 inches
Tuesday, October 17, 2006
Corn Crib Cleared Out
Thats Ed, the director of ArtFarm on the tractor. The tractor fits perfectly. The building was built around 1905, and is a corn crib, used to store and dry corn. Corn Cribs were first used by Native Americans. The space in the middle is built with the exact dimensions for the tractor to fit in and to promote airflow. The space is now ready for her to work in.
Installation Space
She was wandering around the farm, and this building reached out to her, giving inspiration. The smell, the light shining through the holes in the roof, and especially, the length, height and width of the space seemed to resonate in her heart and with her own height and body. It is one of the original buildings on the property. Corn was stored up in the rafters on both sides of the building over sixty years ago. She chose the middle of the building to clean out and use as an installation space.
Thursday, October 12, 2006
Drawing
It was twenty degrees last night. She had to stop drawing because her hands were suddenly numb. She was thinking about coyotes, they were close by last night, with high pitch howls, maybe three of them together, crying out into the night. Objects are starting to come out of her drawing. Most of her pieces evolve in this way.
Monday, October 09, 2006
Harvest
Hitchhikin
Look at us!!! After eating at Wendys, the only thing open in Central City, it was time to go back to Art Farm. The temperature dropped dramatically, it was cold, and we were ready for a nice ride home. We hitched for a few minutes before a cop drove up and said it was illegal to hitchhike in the state of Nebraska. We walked back to the corner gas station, stood around, asked a few folks filling up if they were heading south. No luck, decided to try again out on the road, and sure enough, a white Cadillac pulls up and it's Ken, a man I had met in the post office in Marquette, just the other day. He drove us directly back to Art Farm. Yee haw.
Central City
No Tracks
Walk To Central City
Saturday, October 07, 2006
Horse Ramp
Studio
I have two studios. One, I use to sand, cut, and assemble my wood and messy projects. It feels cool, emiting the colors of blues and greys, with the neon lights and cement floor. In the other one, I draw, read, write, and paint in. It feels warm, glowing with the color yellow with its wooden floors and regular lights. Amazing how you can really feel the difference betwen cement and wood spaces.
Monday, October 02, 2006
Marquette, Nebraska
This small town is the closest town to me. It is walking distance from Artfarm, a long walk. There is a post office, and a fire department, residential buildings, railroad tracks, basketball hoops, abandoned lots, lots for sale and a grain factory. I'll tell you more as I will attempt some walking field trips there in the next few days, with of course, my baskteball. My sense of the place when driving through it, lonely.
Farm Chores
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